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The TV Showrunner's Roadmap: 21 Navigational Tips for Screenwriters to Create and Sustain a Hit TV Series, by Neil Landau
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If you’ve ever dreamed of being in charge of your own network, cable, or web series, then this is the book for you. The TV Showrunner’s Roadmap provides you with the tools for creating, writing, and managing your own hit show. Combining his 20+ years as a working screenwriter and UCLA professor, Neil Landau expertly guides you through 21 essential insights to the creation of a successful show, and takes you behind the scenes with exclusive and enlightening interviews with showrunners from some of TV’s most lauded series, including:
- Breaking Bad
- Homeland
- Scandal
- Modern Family
- The Walking Dead
- Once Upon a Time
- Lost
- House, M.D.
- Friday Night Lights
- The Good Wife
From conception to final rewrite, The TV Showrunner’s Roadmap is an invaluable resource for anyone seeking to create a series that won’t run out of steam after the first few episodes. This groundbreaking guide features a companion website with additional interviews and bonus materials. www.focalpress.com/cw/landau
So grab your laptop, dig out that stalled spec script, and buckle up. Welcome to the fast lane.
- Sales Rank: #68631 in Books
- Published on: 2013-12-06
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x 5.75" w x .75" l, .0 pounds
- Binding: Paperback
- 320 pages
About the Author
Neil Landau is a screenwriter, producer, author, and professor in the MFA in Screenwriting and Producing Programs at UCLA School of Film, Television & Digital Media. His movie credits include the teen comedy Don’t Tell Mom the Babysitter’s Dead; his TV credits include Doogie Howser, M.D., Melrose Place, The Magnificent Seven, The Secret World of Alex Mack, Twice in a Lifetime, and MTV’s Undressed, and pilot deals at CBS, Disney, Freemantle, Lifetime, Spelling, and Warner Bros. Television. He served as executive script consultant for Sony Pictures Television International for many years, is a faculty member in the Academy of Television Arts & Sciences, and just won a Spanish Academy ("Goya") Award for best screenplay adaptation for the animated movie Tad the Lost Explorer, 2012; he is now working on the sequel, and a new animated movie: Capture the Flag for Paramount.
Most helpful customer reviews
9 of 9 people found the following review helpful.
Learn how to become a TV Showrunner, The person/writer in charge on TV shows
By Forris B. Day
I've been reading a ton of books about entertainment lately and I just finished “The TV Showrunners Roadmap” subtitled “21 Navigational Tips for Screenwriters To Create and Sustain a Hit TV Series”. To be honest, I didn't know what a “Showrunner” was until I checked out this book written by Neil Landau. He's a man who wears many hats including screenwriter, author, producer and professor at the UCLA School of Film. You get the idea. Landau knows what he is talking about. What I learned: A Showrunner is to TV what a Director is to feature films. The Showrunner is usually the head writer and many times the creator of the television show. They make the big decisions.
The book has 21 Navigational tips in it. Each tip is a chapter. They are very in-depth tips. Each tip or chapter covers a certain topic that a Showrunner should be aware of on each episode or series. For example chapter 9 is called “Determine the POV” (Point of View). He discuses what the POV is , types of POV and he uses many different TV shows to show us an example. The chapters are all formated the same. The first 10 or 12 pages Landau touches on a subject, then teaches us about it to give a basic understanding about each principle. These sections alone could comprise the book and it would be an awesome read, but it gets better. Each chapter has an interview with a Screenwriter/Showrunner from a popular TV show who discusses the topic at hand. In the interviews Landau picks the brains of the interviewees to help us, the reader, to understand the topic in greater depth.
The interview section of each chapter is incredibly informative and we get to meet and learn about a new person or two in each session. These interviews are with top notch Showrunners who are successful and are sharing knowledge that you just could not access any other way short of being an actual Showrunner yourself or being personal friends with one. Some of the TV programs that these folks head up are Breaking Bad, Homeland, The Walking Dead, House, M.D. and many others. Each chapter is easy to digest so you can pretty much read them in any order and fully understand the book.
I personally do not have the organizational skills to ever be a Showrunner. I lose my glasses and keys all the time. Organization eludes me. If you are the type of person who loves being organized and structured, loves writing scripts and being in charge, you may have what it takes to make it in the TV world. I learned a ton from this book. Coming in at around 290 pages there is a lot of information to be had, but again, the format makes it easy and fun to learn. Read the book and get ready to have the confidence to begin your dreams of creating or running a successful TV show.
Review copy supplied by Focal Press
8 of 8 people found the following review helpful.
MUST HAVE
By Prfsr Hal
Neil Landau is rapidly becoming the resource of choice for the emerging generation of new writers. His first two books, 101 Things I Learned In Film School, followed by 21 Ways To Jumpstart Your Story have proved to be excellent companions, filled with essential information organized in a coherent, user-friendly format. A third book is now added to Neil’s canon: THE TV SHOWRUNNER’S ROADMAP. This book takes potential writer-entrepreneurs through the complex terrain of creating and sustaining a hit television series. Once again, Neil navigates his readers with clarity, with practical down-to-earth usable advice, with insight and with compassion. The book could not be more timely. With the paradigm shift to television, with the best work and greatest opportunities for writers now in that medium, this book is an absolute MUST HAVE for anyone hoping to take his or her best shot.
Hal Ackerman
UCLA Screenwriting Co-Area head
7 of 7 people found the following review helpful.
This is not just a Showrunner book..
By C. page
While this book primarily focuses on the "Showrunner" aspect of the business, I bought it to get a better idea of how to write for TV, especially a pilot with a series in mind. I have been studying movies and features for a long time, but needed a resource to start focusing on TV, the business and creative writing aspects of it as there is a difference. It certainly explains in detail how Showrunner's work within the industry, but also has a lot of interviews and insights into character development, creation of pilots, necessary elements to a story, etc., that beginning writers and wannabes like me find very helpful. After starting this book, I am now going back and re-watching many of the pilots with these new insights and loving it. I highly recommend.
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